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At first, it’s easy to underestimate equally Rene and García Bernal, to oversight their informal, unassuming naturalness for a lack of gravitas or craft. A. O. SCOTT In Pablo Larraín’s "No" (2013), García Bernal plays Rene Saavedra, a hotshot younger promoting imaginative in eighties Chile, with his usual attraction. Rene is enlisted by a team of opposition political events to develop television spots supporting a "no" vote on a referendum extending the dictatorship of Augusto Pinochet. Rent or purchase "No" on major streaming platforms. It’s up to García Bernal to deliver the remarkable hyperlink in between the banalities of the media enterprise and the terror of political repression, and he does it almost fully with his eyes. García Bernal performs Julio, a performing-class teenager on a journey of discovery (of the self, of many others). By 2004, García Bernal had appeared in Walter Salles’s "The Motorcycle Diaries" as the younger Che Guevara and performed a duplicitous chameleon in Pedro Almodóvar’s "Bad Education." Almodóvar place the actor in heels to perform a noirish femme fatale, a part that García Bernal apparently didn’t a lot like undertaking so but that deepened his persona with a smear of lipstick and a psychological coldness that created new shocks.<br>

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